SITES OF TRANSFORMATION IBD

Sinopse

Shortlisted for the PQ Best Publication Award in Performance Design & Scenography 2023In this book practitioner and researcher Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of scenography as a distinctive type of applied art and performance practice that seeks tangible, therapeutic, and transformative real-world outcomes. It is what Christopher Baugh calls âÇÖscenography with purposeâÇÖ.Using case studies drawn from the body of site-specific walking-performances she has created in the UK since 2011, Wilson demonstrates how she uses scenography to emplace challenging, marginalizing or âÇÖmissingâÇÖ life-events into rural landscapes - creating aásite of transformationá- in which participants can reflect upon, re-image and re-imagine their relationship to their circumstances. Her work has addressed terminal illness and bereavement, infertility and childlessness by circumstance, and (im)mobility and memory. These works have been created on mountains, in caves, along coastlines and over beaches. Each case-study is supported by evidential material demonstrating the effects and outcomes of the performance being discussed.The book reveals WilsonâÇÖs creative methodology, her application of three distinct strands of transdisciplinary research into the site/landscape, the subject/life-event, and with the people/participants affected by it. She explains the 7 âÇÖscenographicâÇÖ principles she has developed, and which apply theories and aesthetics relating to land/scape art and walking and performance practices from Early Romanticism to the present day. They are underpinned by the concept of the feminine âÇÖmaterialâÇÖ sublime, and informed by the attentive, autotopographic, therapeutic and highly scenographic use of walking and landscape found in the work of Dorothy Wordsworth and her female contemporaries. Case studies includeáFissureá(2011),áGhost Birdá(2012),áThe Gatheringá(2014),áWarnscaleá(2015),áMulliontideá(2016),áDorothyâÇÖs Roomá(2018) andáWomenâÇÖs Walks to Remember: âÇÖWith memory I was thereâÇÖá(2018-2019).