WHAT WILL BECOME OF THE CHILDREN? IBD

Sinopse

1932: the eve of the Nazi Machtergreifung. The threat of civil war looms over a Germany beset with street violence, hunger, anti-Semitism, and despair. A 'typical' German family, the Deutsch family, struggles to survive, even prosper at this turning point in German history. The story begins with Pitt Deutsch: machinist, inventor, self-made millionaire whose fortunes turned with Germany?s, then evaporated in the great inflation. The core of the book follows the fortunes of Deutsch?s seven children, who encounter poverty and its indignities: Klara, the oldest daughter, is exhausted by her efforts to provide for the family, Susi, the youngest, mistress of a businessman, is reduced to bringing home extra food for them. The sons are no better off: Peter, an unemployed chemist, is suicidally depressed, Max falls in love with a Jewish woman, experiencing Germany?s growing anti-Semitism at first hand. The youngest two brothers, unemployed and unable to complete their educations, become Nazis, expecting their Führer to solve Germany?s problems. The family can only hope that Peter and Max can reproduce their father?s luck and once again use technology and ingenuity to escape poverty. Claire Bergmann?s novel was quickly and positively reviewed by some of Germany?s most prominent critics. Hans Fallada admired it as a book about 'normal events, normally written, captur[ing] precisely the normal German people of today.... pitch perfect.' Bergmann?s portrayal of the era?s political discussions, even as she showed her preference for a democratic solution, impressed Siegfried Kracauer, one of the era?s most incisive critics. Not surprisingly, given the work?s democratic leanings, it was soon banned when the Nazis took over and began to exert control over the world it described. As it faded into obscurity, so did its author: Bergmann never wrote another book, disappearing from Berlin?s telephone directory in 1935, never to re-emerge into the public eye. This first English translation will find an immediate reception among readers interested in the end of Weimar and the rise of the Nazis. It is a message in a bottle from the last moment when German democracy?s survival seemed possible. Richard Bodek is Professor of History at the College of Charleston, South Carolina. His book Proletarian Performance in Weimar Berlin was published by Camden House in 1997.